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In the original version of Ezra, Artaxerxes replies that the letter sent to him was read out loud in translation. The Greek Septuagint changes the letter into a tribute collector sent to the king, one of four places where the officer replaces the letter.
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2500 BCE
1000+ CE

Ezra 4:18

Hebrew Bible
17 The king sent the following response:“To Rehum the commander, Shimshai the scribe, and the rest of their colleagues who live in Samaria and other parts of Trans-Euphrates: Greetings! 18 The letter you sent to us has been translated and read in my presence. 19 So I gave orders, and it was determined that this city from long ago has been engaging in insurrection against kings. It has continually engaged in rebellion and revolt.
Date: 4th Century B.C.E. (based on scholarly estimates)

LXX Ezra 4:18

Septuagint
17 Then the king sent peace to Rehum, Baaltam, and Shimshai the scribe, and the rest of their fellow-slaves who live in Samaria, and the rest beyond the river, and he said, 18The tribute collector whom you sent to us was called before me. 19 And a decision was established by me, and we examined and found that that city, from days of eternity, rises up against kings, and that rebellion and sedition occur in it,
Date: 1st Century B.C.E. (based on scholarly estimates)
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Notes and References

#6218
... The translation’s very close representation of the Masoretic Text means that little of the translator’s views are revealed. However, in chapters 4–5 the storyline changes when, in addition to other changes, the נשתון ‘letters’ that go back and forth between the Judaeans and Persians are turned into a loathed φορολόγος ‘tribute collector’ of the king (5.5). He was worried about losing some of the φόρος for which he was responsible, should Jerusalem and its political and religious infrastructure be restored, and he thus writes (4.7), delivers (4.18), reads (4.23), and receives (5.5) messages that focus on ensuring the consistent collection of φόρος ‘tribute’. Given the otherwise strict isomorphic rendering of the Masoretic Text, these changes, which are all focused on the tribute collector, suggest that something from the life or circumstances of the translator led to an altering of the text ...

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