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Exodus

About this book

The Song at the Sea

Chapter 15

1 Then Moses and the Israelites sang this song to the Lord. They said, “I will sing to the Lord, for he has triumphed gloriously, the horse and its rider he has thrown into the sea.⁠ 2 The Lord is my strength and my song, and he has become my salvation. This is my God, and I will praise him, my father’s God, and I will exalt him.⁠ 3 The Lord is a man of war10—⁠ the Lord is his name.⁠ 4 The chariots of Pharaoh and his army he has thrown into the sea,⁠ and his chosen officers were drowned in the Red Sea.⁠ 5 The depths have covered them; they went down to the bottom like a stone.⁠ 6 Your right hand, O Lord, was majestic in power; your right hand, O Lord, shattered the enemy. 7 In the abundance of your majesty you have overthrown those who rise up against you. You sent forth your wrath; it consumed them like stubble.⁠ 8 By the blast of your nostrils the waters were piled up,⁠ the flowing water stood upright like a heap, and the deep waters were solidified in the heart of the sea.⁠ 9 The enemy said, ‘I will chase, I will overtake, I will divide the spoil; my desire will be satisfied on them. I will draw my sword, my hand will destroy them.’⁠ 10 But you blew with your breath, and the sea covered them. They sank like lead in the mighty waters. 11 Who is like you, O Lord, among the gods?⁠ Who is like you—majestic in holiness, fearful in praises, working wonders? 12 You stretched out your right hand, the earth swallowed them. 13 By your loyal love you will lead the people whom you have redeemed; you will guide them by your strength to your holy dwelling place. 14 The nations will hear and tremble; anguish will seize the inhabitants of Philistia. 15 Then the chiefs of Edom will be terrified, trembling will seize the leaders of Moab, and the inhabitants of Canaan will shake. 16 Fear and dread will fall on them; by the greatness of your arm they will be as still as stone until your people pass by, O Lord, until the people whom you have bought pass by. 17 You will bring them in and plant them in the mountain of your inheritance,⁠ in the place you made for your residence, O Lord, the sanctuary, O Lord, that your hands have established.⁠ 18 The Lord will reign forever and ever! 19 For the horses of Pharaoh came with his chariots and his footmen into the sea, and the Lord brought back the waters of the sea on them, but the Israelites walked on dry land in the middle of the sea.” 20 Miriam the prophetess, the sister of Aaron, took a hand drum in her hand, and all the women went out after her with hand drums and with dances.⁠ 21 Miriam sang in response to them, “Sing to the Lord, for he has triumphed gloriously; the horse and its rider he has thrown into the sea.”⁠

Food, Water, and Conflict in the Wilderness

22 Then Moses led Israel to journey away from the Red Sea. They went out to the wilderness of Shur,⁠ walked for three days into the wilderness, and found no water.⁠ 23 Then they came to Marah, but they were not able to drink the waters of Marah, because they were bitter. (That is why its name was Marah.) 24 So the people murmured against Moses, saying, “What can we drink?”⁠ 25 He cried out to the Lord, and the Lord showed him a tree. When Moses threw it into the water, the water became safe to drink.⁠ There the Lord made for them a binding ordinance, and there he tested them. 26 He said, “If you will diligently obey the Lord your God, and do what is right in his sight, and pay attention to his commandments, and keep all his statutes, then all the diseases that I brought on the Egyptians I will not bring on you, for I, the Lord, am your healer.”⁠ 27 Then they came to Elim, where there were twelve wells of water and seventy palm trees, and they camped there by the water.

Texts in conversation

Compare KTU 1.3 III:38 and Exodus 15:8

Ancient Near East, Ugaritic · Hebrew Bible

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Summary

In Exodus, God is portrayed as a storm deity who controls wind and water to defeat the enemy at the sea. This follows ancient Near Eastern traditions where divine warriors use storm power to overcome chaotic waters and establish order.

Passages

KTU 1.3 III:38

Ancient Near East, Ugaritic · Cuneiform Texts from Ugarit
the bones within her spine turn weak. She spoke up and cried out, “Why have Gupan and Ugar come here? What enemy rises up against Baal? What rival faces the Cloud-Rider? Didn’t I crush El’s beloved, Yamm (Ocean)? Didn’t I annihilate Nahar (River), the great god? Didn’t I leash Dragon and bind him in a saddle? I crushed the Sinuous Serpent, Encircler, the seven-headed monster. I crushed the gods’ beloved, Arsha.
1350–1185 BCE (scholarly estimate) Read in KTU

Exodus 15:8

Hebrew Bible
6 Your right hand, O Lord, was majestic in power; your right hand, O Lord, shattered the enemy. 7 In the abundance of your majesty you have overthrown those who rise up against you. You sent forth your wrath; it consumed them like stubble. 8 By the blast of your nostrils the waters were piled up, the flowing water stood upright like a heap, and the deep waters were solidified in the heart of the sea. 9 The enemy said, ‘I will chase, I will overtake, I will divide the spoil; my desire will be satisfied on them. I will draw my sword, my hand will destroy them.’
750–400 BCE (scholarly estimate) Read in Exodus

References

"... The corpus of ancient Yahwistic poetry has not yet been delineated in satisfactory fashion. The proper starting point is the Song of Deborah, a victory hymn, the occasion of which is known, and the approximate date quite certain, i.e., ca. 1100 B.C. Burney's study of this poem is of basic importance; he described the phenomenon of climactic parallelism, a characteristic feature of the Song of Deborah, and now very familiar from the Ugaritic epics. Albright, in a subsequent treatment, went further in the analysis of the metrical and strophic pattern of the poem, and also set it in the context of the comparative materials available from Mesopotamia and Egypt. The present partial study follows the lines laid out in these treatments. This victory hymn, one of the oldest and most dramatic specimens of early Yahwistic poetry, belongs to the same general period as the other great victory songs so far known from the ancient world: the hymn of Rameses II after the battle with the Hittites at Kadesh, the poems describing the victory of Merneptah over the Libyans, and Rameses III over the Sea Peoples, and the victory hymn of Tukulti-Ninurta I, after his defeat of the Cossaeans. The Song of Deborah is also to be grouped with the Song of Miriam (Exodus 15) celebrating the destruction of Pharaoh's host in the Reed Sea. Though this was not generally recognized by the older scholars, it is clear that the victory hymn in Exodus 15 is a literary unit. It has the same antiphonal character and metrical form as the Song of Deborah ..."
Frank Moore Cross Jr. and David Noel Freedman, Studies in Ancient Yahwistic Poetry (Grand Rapids: Eerdmans, 1997), 3.

References are not endorsements of their contents. Read each reference in full to understand its author's intentions in using these texts.

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KTU 1.3 III:38 and Exodus 15:8

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