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Tobit pictures a renewed Jerusalem with walls of precious stones, towers of gold, and streets of gems. Revelation gives a similar picture of the New Jerusalem and uses the same kind of imagery to shape its vision of the world to come.
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2500 BCE
1000+ CE

Tobit 13:16

Deuterocanon
13 Then go and be exceeding glad for the sons of the righteous: For they all shall be gathered together, And bless the everlasting Lord. 14 Blessed shall they be that love you; And blessed shall they be That shall rejoice for your peace: And blessed shall be all the men That shall sorrow for you For all your chastisements: Because they shall rejoice in you And shall see all your joy for ever. 15 My soul does bless the Lord the great King; 16 For Jerusalem shall be built again as his house to all the ages. Happy shall I be if the remnant of my seed come to see your glory And give thanks to the King of heaven. And the gates of Jerusalem shall be built with sapphire and emerald, And all your walls with precious stone. The towers of Jerusalem shall be built with gold, And their battlements with pure gold. The streets of Jerusalem shall be paved With carbuncle and stones of Ophir. 17 And the gates of Jerusalem shall utter hymns of gladness And all her houses shall say, Halleluiah. Blessed is the God of Israel. And the blessed shall bless the name That is holy for ever and ever.
Date: 225–175 BCE (based on scholarly estimates)

Revelation 21:18

New Testament
15 The angel who spoke to me had a golden measuring rod with which to measure the city and its foundation stones and wall. 16 Now the city is laid out as a square, its length and width the same. He measured the city with the measuring rod at 1,400 miles (its length and width and height are equal). 17 He also measured its wall, 144 cubits according to human measurement, which is also the angel’s. 18 The city’s wall is made of jasper and the city is pure gold, like transparent glass. 19 The foundations of the city’s wall are decorated with every kind of precious stone. The first foundation is jasper, the second sapphire, the third agate, the fourth emerald, 20 the fifth onyx, the sixth carnelian, the seventh chrysolite, the eighth beryl, the ninth topaz, the tenth chrysoprase, the eleventh jacinth, and the twelfth amethyst. 21 And the twelve gates are twelve pearls—each one of the gates is made from just one pearl! The main street of the city is pure gold, like transparent glass. 22 Now I saw no temple in the city, because the Lord God—the All-Powerful—and the Lamb are its temple.
Date: 92–96 CE (based on scholarly estimates)
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Notes and References

#202
"... John drew on several New Jerusalem traditions to create his own unique account in Rev 21:10-21; in particular, he was influenced by Isaiah 54:11-12 and several Ezekiel texts (Ezekiel 40:2-16; 41:4-5; 42:15-20; 43:2-5; 45:2; 48:18,20,30-35). Although a full analysis of this passage is not feasible here, distinctive traits and word order in Revelation 21:21 make it possible that John drew inspiration directly from the architectural tradition in Tobit 13:17-18. Both John and Tobit place the street tradition last in their outline of the city. Fekkes rightly points out here, “It is most unlikely that each [author] would also have taken the first element in Isaiah’s description and moved it to the end of their building inventories. It is more natural to assume that John’s inclusion of the street motif and its position presuppose the interpretation of Isaiah 54:11b given in Tobit 13:17.” Moreover, John’s association of the street with “pure gold,” in 21:21 points to the influence of Tobit where the words “pure gold” (13:16) immediately precede “streets” (13:17) ..."
Vincent Skemp, “Avenues of Intertextuality between Tobit and the New Testament,” in Intertextual Studies in Ben Sira and Tobit: Essays in Honor of Alexander A. Di Lella, ed. Jeremy Corley and Vincent Skemp, CBQMS 38 (Washington, DC: Catholic Biblical Association of America, 2005), 43–70.

* The use of references are not endorsements of their contents. Please read the entirety of the provided reference(s) to understand the author's full intentions regarding the use of these texts.

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